Review: 'Sicko' a tonic, even with flaws

(CNN) -- America's most inspired polemicist -- and most polarizing filmmaker -- Michael Moore returns to the fray with his first movie since "Fahrenheit 9/11" broke box-office records and challenged George W. Bush's White House.
With "Sicko," this time Moore has set his sights on a more amorphous, and possibly an even more powerful target: HMOs and the American health care industry.
A little over a year ago, Moore invited citizens to send in their health-care horror stories. Within the week his Web site was inundated with 25,000 emails. If this is anecdotal evidence, it's on a scale worth talking about.
"Sicko" begins with three cases illustrating the plight of the 46 million Americans without health insurance, but quickly moves on to address wider concerns about the kind of care reserved for the lucky 250 million who do have coverage. (Analysis: Does Moore get his facts straight?)
In a nutshell, Moore's argument comes down to this: the insurance companies are making a killing at their customers' expense. And in this industry, that term is all too literal.
Moore adopts a low profile in the film's relatively somber first half, softening his familiar snarky stridency for a hushed sincerity more appropriate to the hospital waiting room. Many of the people here are in desperately dire straits: sick, bereaved, or just plain broke. Other interviewees are whistle-blowers, guilty and angry about their roles in the Machine.
As well they might be. As countless stories have documented, Americans face countless problems with their health care. They may be denied coverage for pre-existing conditions -- or retrospectively denied coverage for pre-existing conditions they never knew about.
HMOs employ teams of investigators to disallow claimants on technical grounds and some offer medical directors financial incentives to deny drugs and treatments that -- by definition -- cut into corporate profits. (This style is a legacy of the Nixon administration, according to a striking scene from "Sicko" that plays a snippet from the White House tapes.)
When Moore does eventually slouch on screen, it's to play the innocent abroad, a wide-eyed chump bowled over by the wonders of socialized medicine as it's practiced in Canada, the UK and France. This will be an eye-opener for many -- including the Canadians, the Brits and the French, probably.
Having "enjoyed" first-hand experience of two of these three health systems -- the British and the Canadian -- I can attest that they're not quite as idyllic as Mr. Moore paints them. Except in comparison with the U.S. system, of course, and that's the point. Moore is a master of overstatement, but his comic shtick hits the target more often than not. It only hurts when we laugh.
If Moore missteps, it's in the one sequence he and the Weinstein Company have made sure everyone has already heard about (with a little help from the U.S. government): the boat lift to Cuba for three ailing 9/11 heroes. It's Stunt Man Mike at his crudest, and not as effective as he intended.
To be sure, it's bitterly ironic that Guantanamo detainees have access to better medical care than the soldiers who guard them, but Moore is easily diverted into a silly commercial for Cuban socialist medicine that plays exactly like the kind of Soviet propaganda films he sends up earlier in the movie.
It's tough to see firefighters who have been let down by their own country receiving proper care in Havana, but what makes it harder is the suspicion that Michael Moore is treating them like hostages in his own propaganda war. You have to wonder how this squares with the results of the World Health Organization report cited in "Sicko," which placed the U.S. at No. 37, one spot above Slovenia -- and, if you look fast enough, two places above Cuba.
But all is fair in love and Moore, and the system is sick, no question. With four times as many health lobbyists as there are congressmen, and with multimillion-dollar campaign donations at stake, the prospect of universal care seems a distant hope. (In that regard, the brief sequence implying that Hilary Clinton has been bought off may be the most significant.)
It's not impossible that this bitterly funny, bitterly sad call to alms could move reform back up the political agenda. For that reason alone, you owe it to yourself to see this movie.

Review: 'A Mighty Heart' showcases an understated Jolie

(CNN) -- Daniel Pearl flew in to Islamabad, Pakistan, on September 12, 2001. As the South Asia bureau chief for The Wall Street Journal, he would spend the next four months reporting on Afghanistan and Operation Enduring Freedom.
He and his pregnant wife, Mariane, a reporter for French public radio, celebrated the New Year in the sprawling city of Karachi, Pakistan, a nexus for gunrunners and drug-smugglers; dirt poor and decidedly dangerous.
The evening of January 23, the last day of his assignment, Danny Pearl went to interview Sheik Mubarak Ali Shah Gilani. He never returned.
Produced by Brad Pitt and starring Angelina Jolie, "A Mighty Heart" is based on Mariane Pearl's memoir of the same name. It's a breathless account of the events of that January day and the nightmarish five weeks that followed, as U.S. intelligence and Pakistan's counterterrorist agency hunted the kidnappers.
Give the tabloids' favorite celebrity couple some credit: This is hardly a conventional star vehicle. Several months pregnant and essentially a passive figure in the drama, Mariane scarcely leaves her friend Asra's house, save for an infuriatingly unproductive meeting with a local government minister and an interview with CNN.
The large, gated home becomes the unofficial command center for the search and rescue operation, manned by Asra (Archie Panjabi); the Journal's foreign editor, John Bussey (Denis O'Hare); Randall Bennett (Will Patton) from the U.S. consulate; and Pakistan CID's "Captain" (Irfan Khan -- the Bollywood star from "The Namesake").
Set in the very eye of the War on Terror, this is necessarily a grim and painful movie, but the tense, raw alliance of reporters and public officials from three continents has us hoping against hope for a breakthrough. We might discern one too, in their shared concern for Mariane and her baby.
Famously prolific and congenitally unsentimental, British director Michael Winterbottom is at his weakest supplying rote flashbacks to the Pearls' loving marriage. The movie is much more convincing when it sticks with place and process and lets the emotions take care of themselves.
This is the third nonfiction drama Winterbottom has made in Pakistan since September 11, but it's the first that feels like the work of an outsider. (The others were "In This World" and "The Road to Guantanamo".)
It's an authentically jumbled snapshot of the impenetrable, overwhelming poverty of a Third World slum city (exteriors were shot in Karachi, the house scenes in India). Few shots last more than a couple of seconds, and most are punctuated with the clamor of horns and brakes. As dusk falls, it really does feel like we're encroaching on some dark heart.
The movie's clipped procedural mode hots up as the authorities begin to connect the dots -- or rather the cell numbers and Internet service providers. In the most troubling sequence, with time running out, Captain tortures a suspect. The information he extracts is valuable but the effort is ultimately futile. Were his actions justified? Winterbottom doesn't exactly suppress the question, but he doesn't let it detain him either. That's the privilege but also the handicap of such a committed neutral observer.
Jolie has attracted some negative comment for playing the dark-skinned French (Dutch-Afro-Cuban-Chinese) journalist, but whatever you think of the casting, her restrained, unshowy performance and soft, subtle accent hit the right notes: Mariane, a practicing Buddhist, is smart and articulate, resolute in her convictions even as she is pushed to her very limits.
Her grief erupts in one heart-rending sequence, but it's her dignity and empathy that stay with you -- the adamant refusal to surrender her compassion. This kind of heroism is worth celebrating.

Bob Barker wins 19th trophy at Daytime Emmys

LOS ANGELES, California (AP) -- After 35 years of giving away prizes, newly retired Bob Barker picked up one of his own at the Daytime Emmy Awards on Friday night.
The 83-year-old former emcee of "The Price Is Right" won his 19th trophy as game-show host, beating a field that included last year's winner, Alex Trebek of "Jeopardy!"
"Come on down!" presenter Ellen DeGeneres shouted.
Barker received his second of three standing ovations of the night, having gotten his first when he introduced the evening's first presenters while on the arms of "Barker's Beauties," models from his show.
"This proves that the judges had sympathy for an old man who doesn't have a job," quipped Barker, who retired last week after 35 years on "The Price Is Right" and 50 years in television.
"I want to thank the television viewers across the country for inviting me into their homes for 50 years," he said, before concluding with his signature signoff. "And remember, help control the pet population. Have your pet spayed or neutered."
Barker came into the show already a winner. He earned his 18th trophy at Thursday night's ceremony for craft categories as executive producer of "The Price Is Right."
Barker's career was honored during the ceremony, which aired live on CBS from the Kodak Theatre in Los Angeles following the network's prime-time rebroadcast of Barker's last "Price" show.
His early victory keyed a big night for CBS, which won nine trophies to go with its seven creative arts awards Thursday, giving the network a leading 16 wins.
"Guiding Light," which came in with a leading 17 nominations, tied another CBS soap opera, "The Young and the Restless," for drama series honors.
PBS was second with 15 awards, including 13 creative arts trophies. Syndicated shows earned 11 trophies, including six by DeGeneres and "The Ellen DeGeneres Show." ABC was fourth with nine wins, while NBC earned five.
DeGeneres scored her fourth consecutive victory for talk show and third win in a row for talk show host, keeping "The View" co-hosts Barbara Walters, Joy Behar, Elisabeth Hasselbeck and the recently departed Rosie O'Donnell winless.
"I really am shocked," DeGeneres said before acknowledging "The View" ladies and O'Donnell's controversial yearlong stint. "I thought Rosie brought a lot of new viewers to daytime television and it was interesting."
DeGeneres joked that she planned to take a page from "The View" on her show.
"And I want to just start with something controversial right now to kick it off and I know this might not be popular and I don't care because that's what I'm doing," she said. "I just want to say it -- I think Bob Barker is a quitter."
Barker laughed along with the rest of the audience.
CBS also swept the lead acting categories, with victories for Maura West of "As the World Turns" and Christian LeBlanc of "The Young and the Restless," daytime's No. 1 rated show.
West picked up her first Daytime Emmy for playing Carly, whose emotional breakup with husband Jack was a major storyline. She defeated four-time winner Kim Zimmer of "Guiding Light" in a category where all five nominees star on CBS soaps.
"It's so much heavier than I thought," said West, who began watching the soap opera in high school and met her real-life husband on the show. "I feel like I'm going to throw up. I'm just thrilled to bits and pieces."
LeBlanc won his first trophy in 2005. This time, he upset a field that included co-star Peter Bergman, last year's winner Anthony Geary of "General Hospital," Michael Park of "As the World Turns," and Ricky Paull Goldin of "Guiding Light."
Genie Francis of "General Hospital" claimed her first Daytime Emmy for supporting actress in a drama series. Francis returned to the soap opera last year as Laura Spencer, a role she began playing at age 14.
"Oh my goodness!" she said. "Thank you so much. I am overwhelmed. I've waited 31 years for this moment."
Francis and co-star Geary, who plays Luke Spencer, were part of the most watched event in daytime television history when their characters married 26 years ago.
Francis' "General Hospital" co-star, Rick Hearst, won supporting actor honors.
Jennifer Landon of "As the World Turns" won her second consecutive award for younger actress in a drama series. She thanked her late father, actor Michael Landon.
Bryton McClure of "The Young and the Restless" won his first Daytime Emmy as younger actor in a drama series.
There was a tie for performer in a children's series between "Sesame Street's" Kevin Clash, who plays Elmo, and Caroll Spinney, who plays Oscar the Grouch.
"I started watching this show when I was 10 years old," said Clash, who also won last year and had a tuxedoed Elmo on his arm. "My mom thought I would go blind watching it trying to figure out how to build these things. I just love living on the street of 'Sesame Street."'
A Lifetime Achievement Award went to Lee Phillip Bell, who co-created "The Young and the Restless" and "The Bold and the Beautiful" with late husband William J. Bell.
Copyright 2007 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.

Paris Hilton may return to jail; hearing Friday

LOS ANGELES, California (AP) -- Paris Hilton will have to appear in court after all.
The judge in her court hearing has ordered the L.A. Sheriff's Department to pick her up and bring her to the L.A. Superior Court this morning, CNN has learned.
Hilton, who is serving her jail sentence from her Hollywood Hills home, was headed for a courtroom showdown that could put her back behind bars, as prosecutors sought to hold sheriff's officials in contempt for releasing her early from jail.
Hilton was ordered to report to court at 9 a.m. The judge signed an order for deputies to bring her in a sheriff's vehicle from her Hollywood Hills home, said Superior Court spokesman Allan Parachini.
Friday morning, Parachini said Hilton would be allowed to take part in the hearing by telephone, but Superior Court Judge Michael T. Sauer stuck to his original order.
The frenzy over Hilton's jail status began early Thursday when sheriff's officials released Hilton because of an undisclosed medical condition and sent her home under house arrest. She had been in jail since late Sunday. (Watch the details of Hilton's release )
Hilton was fitted with an electronic monitoring ankle bracelet and was expected to finish her 45-day sentence for a reckless driving probation violation at her four-bedroom, three-bath home.
The decision by Sheriff Lee Baca to move Hilton chafed prosecutors and Superior Court Judge Michael T. Sauer, who spelled out during sentencing that Hilton was not allowed to serve house detention.
Late Thursday, Sauer issued the order for Hilton to return to court after the city attorney filed a petition demanding that Hilton be returned to jail and to show cause why Baca shouldn't be held in contempt of court.
Baca does not have to be in court, and it was unclear who would represent the Sheriff's Department.
The move also was met with outrage from the sheriff's deputies union, members of the Los Angeles County Board of Supervisors, civil rights leaders, defense attorneys and others.
"What transpired here is outrageous," county Supervisor Don Knabe told The Associated Press, adding he received more than 400 angry e-mails and hundreds more phone calls from around the country.
Hilton's return home "gives the impression of ... celebrity justice being handed out," he said. (Watch Hilton enter jail )
Baca dismissed the criticism, saying the decision was made based on medical advice.
"It isn't wise to keep a person in jail with her problem over an extended period of time and let the problem get worse," Baca told the Los Angeles Times on Thursday.
"My message to those who don't like celebrities is that punishing celebrities more than the average American is not justice," Baca said.
California Attorney General Jerry Brown criticized the Sheriff's Department for letting Hilton out of jail, saying he believed she should serve out her sentence.
"It does hold up the system to ridicule when the powerful and the famous get special treatment," Brown told The Associated Press in an interview before testifying at a congressional hearing in Washington.
"I'm sure there's a lot of people who've seen their family members go to jail and have various ailments, physical and psychological, that didn't get them released," he said. "I'd say it's time for a course correction."
The Los Angeles County jail system is so overcrowded that attorneys and jail officials have said it is not unusual for nonviolent offenders like Hilton to be released after serving as little as 10 percent of their sentences.
In the hours after Hilton's release, it was a madcap scene outside her house in the hills above the Sunset Strip. As word spread that Hilton was back home, radio helicopter pilots who normally report on traffic conditions were dispatched to hover over her house and describe it to morning commuters. Paparazzi photographers on the ground quickly assembled outside its gates.
Shortly before noon, Hilton issued a statement through her attorney.
"I want to thank the Los Angeles County Sheriff's Department and staff of the Century Regional Detention Center for treating me fairly and professionally," she said. "I am going to serve the remaining 40 days of my sentence. I have learned a great deal from this ordeal and hope that others have learned from my mistakes."
Hilton's path to jail began September 7, when she failed a sobriety test after police saw her weaving down a street in her Mercedes-Benz on what she said was a late-night run to a hamburger stand.
She pleaded no contest to reckless driving and was sentenced to 36 months' probation, alcohol education and $1,500 in fines.
In the months that followed she was stopped twice by officers who discovered her driving on a suspended license. The second stop landed her in Sauer's courtroom, where he sentenced her to jail.
Copyright 2007 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.

Paris Hilton checks into Los Angeles County jail

LYNWOOD, California (AP) -- Hours after strolling the red carpet in a strapless black dress, Paris Hilton traded her designer duds for a jail-issued jumpsuit.
The 26-year-old heiress checked into the Century Regional Detention Facility in Lynwood just after 11:30 p.m. Sunday. She's expected to serve three weeks for violating her probation in an alcohol-related reckless driving case.
Hilton surrendered to sheriff's deputies after making a surprise visit to the MTV Movie Awards in the afternoon.
"I am trying to be strong right now," she told reporters on the red carpet. "I'm ready to face my sentence. Even though this is a really hard time, I have my family, my friends and my fans to support me, and that's really helpful." (Watch Hilton make her comments )
Sheriff's spokesman Steve Whitmore said Hilton was easy to work with.
"Her demeanor was helpful. She was focused, she was cooperative," he said. (Watch how playtime for Paris is over )
Hilton turned herself in at the Men's Central Jail in downtown Los Angeles just after 10:30 p.m., then was escorted to the all women's facility in Lynwood, where she was booked, fingerprinted and issued a jail uniform, Whitmore said.
She also was given her first meal: cereal, bread and juice.
So far, Hilton does not have a cellmate, Whitmore said.
The "Simple Life" star will be housed in the "special needs" unit of the 13-year-old jail, separate from most of its 2,200 inmates. The unit contains 12 two-person cells reserved for police officers, public officials, celebrities and other high-profile inmates.
Like other inmates in that unit, Hilton will take her meals in her cell and will be allowed outside the 12-foot-by-8-foot space for at least an hour each day to shower, watch TV in the day room, participate in outdoor recreation or talk on the telephone. No cell phones or BlackBerrys are permitted in the facility, even for visitors.
The jail, a two-story concrete building next to train tracks and beneath a bustling freeway, has been an all-female facility since March 2006. It's located in an industrial area about five miles southeast of downtown Los Angeles.
"I did have a choice to go to a pay jail," Hilton said Sunday, without giving details. "But I declined because I feel like the media portrays me in a way that I'm not and that's why I wanted to go to county, to show that I can do it and I'm going to be treated like everyone else. I'm going to do the time, I'm going to do it the right way."
When she was sentenced May 4, Superior Court Judge Michael T. Sauer ruled that she would not be allowed any work release, furloughs or use of an alternative jail or electronic monitoring in lieu of jail.
Sometimes stars are allowed to do their time in a jail of their choosing. In such cases they pay a daily room-and-board fee to the smaller jails, which afford them more privacy and comfort.
Cop-slapping actress Zsa Zsa Gabor, for example, served three days behind bars in 1990 at the El Segundo jail near the Los Angeles International Airport. She paid $85 a day.
On Saturday, about 15 photographers, reporters and television crews staked out the entrances to the jail waiting for the celebutante's arrival. Authorities had also cordoned off a grassy area outside the facility for the media. She had until Tuesday to report.
On Sunday, about a dozen photographers and television crews were at the Lynwood facility when she arrived in an unmarked SUV. Video captured by celebrity news site TMZ.com showed Hilton inside the vehicle with her mother, Kathy.
Hilton's publicist, Elliot Mintz, said he spoke with Kathy Hilton after she returned from the jail.
"She told me it was very emotional," Mintz said. "She also said that she feels this will be a time when Paris will be able to think and reflect and to spend time alone to learn from the experience because in Paris' life she's never alone -- there's always a constant chatter around her."
Officers arrested Hilton in Hollywood on September 7. In January, she pleaded no contest to the reckless-driving charge and was sentenced to 36 months' probation, alcohol education and $1,500 in fines.
She was pulled over by California Highway Patrol on January 15. Officers informed Hilton she was driving on a suspended license and she signed a document acknowledging she was not to drive. She then was pulled over by sheriff's deputies on February 27, at which time she was charged with violating her probation.
Copyright 2007 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.

Review: 'Knocked Up' a top-rank comedy

(CNN) -- In a summer set for domination by inflated franchise movies in exhausting (and often exhausted) mega-mode, "Knocked Up" is a designated sleeper, the little movie that could -- and should -- clean up.
For once, critics and moviegoers are likely to be on the same page. Who isn't ready for a refreshingly frank, funny odd-couple comedy with engaging leads and too many belly laughs to count? (Lemme guess: I had you at "refreshingly.") Indeed, who isn't up for a movie that doesn't come encumbered with so much as a digit in the title, or even a colon?
OK, so "Knocked Up" sits comfortably on the same well-worn couch as "The 40-Year-Old Virgin," the previous hit from writer-director-producer Judd Apatow. Several of the same actors crop up, many of them veterans from Apatow's short-lived but fondly remembered small-screen gems, "Freaks and Geeks" and "Undeclared." But in this case, those are signs of high quality.
First and foremost there's Seth Rogen, an amiable, beer-bellied slob with a tight mop of curly hair, permanent five o'clock shadow and a voice like Baloo the bear, who seemed likely to play sidekicks for the foreseeable future.
Rogen's obvious limitations in the romantic leading man department aren't just the butt of the humor here, they're also the plot. It's "Beauty and the Beast," and he's the beast: his character, Ben Stone, is a twentysomething non-achiever living with four likeminded slackers. Their only employment is idle research into movie-star nudity for a proposed Internet start-up.
Beauty comes in the form of Alison Scott (Katherine Heigl from "Grey's Anatomy"), a perky blonde E! Entertainment presenter. Attractive and goal-oriented, she's on the fast track to success -- that is, until she has the misfortune to cross paths with Ben. Letting her hair down to celebrate a promotion, Alison is charmed by his gallantry at the bar, and then tipsy enough to take him to bed.
"You're prettier than I am," he acknowledges in a fleeting moment of bemused revelation as their clothes come off. But it's not until the morning after that she appreciates how far she's strayed from type, and another couple months before the consequences of this otherwise forgettable one-night stand come home to roost.
She's adamant about having the baby, and he wants to do the right thing. First, though, the parents will have to get to know each other and find out if they can fall in like.
None of this is exactly unexpected, and as the movie gestates the pregnancy's ballooning crises feel rather familiar, from finding the right obstetrician to the inevitable push-comes-to-shove about-face on an epidural.
But if this material has been thoroughly homogenized by decades of situation comedy, it's a tribute to Apatow that even the most hackneyed scenes get a new lease on life from his ruder instincts, steeped as they are in the vulgar, anarchic energies of adolescent angst.
In this movie -- as in "The 40-Year-Old Virgin" -- we can sense the "American Pie" generation growing up and settling down, but only with the very greatest reluctance. Ben and his buddies' slacker lifestyle isn't what you would call hygienic, but Apatow pictures it with a fond indulgence -- a note less evident in the barbed E! scenes featuring allegedly adult careerists.
Amid the candid jokes about pregnant sex, the earthy language and promiscuous drug use, "Knocked Up" is also surprisingly grown-up, a fundamentally honest, family-affirming picture in which even Alison's sister's severely strained marriage proves eminently salvageable. Leslie Mann and Paul Rudd contribute some of the movie's sharpest, funniest asides as the unhappy couple -- though in truth, the entire extended cast delivers the goods right down the line.
Even if, like most pregnancies, it goes on too long, "Knocked Up's" winning combination of benevolence and belly laughs will leave audiences smiling. In a nice touch, the end credits are illustrated with the cast and crew's baby pictures. And in Seth Rogen, for sure, a new star is born.